Tuesday, June 17, 2025

NEW Children's Book 'Bakery Bop' by Patti Friday


When the lights go out and the bakery door clicks shut, something magical begins…

Welcome to A.I. Cakes—that’s Absolutely Incredible Cakes—a famous little bakery in a small Ontario town. By day, it’s full of hungry customers and the sweet scent of frosting. But at night? Oh, that’s when the real fun begins!

As the moon rises, cakes come alive—leaping from their display cases and twirling onto the checkered floor. Under the sparkle of a disco ball and flashing spotlights, cupcakes, cheesecakes, Black Forest slices, and more turn the bakery into a wild, whirling ballroom.

Meet this zany gang of frosted, flaky, fabulous treats as they dance the night away doing the waltz, foxtrot, jive and Cha-Cha!

Full of energy, giggles, and sugary sparkle, Bakery Bop is a quirky, delicious romp for early readers—where bedtime means party time, and cake crumbs tell the story.



COPYRIGHT 2007-2025 Patti Friday b.1959.

Monday, June 16, 2025

Media Kit: Patti Friday Canadian Writer and Photographer


MEDIA KIT BIO – PATTI FRIDAY

Patti Friday is a Canadian Writer, Photographer, and Visual Storyteller who captures the essence of everyday life through her pen and lens. Known for her quirky charm and cinematic eye, Patti creates across genres with a signature blend of whimsy, warmth, and wonder.

She writes, illustrates, and independently publishes books for both adults and children—offering a delightful mix of imaginative stories, offbeat characters, and thought-provoking visual narratives. Patti’s children’s books invite readers to step into worlds that are refreshingly different—fun, quirky, and joyfully unexpected.

A devoted documentarian of life’s fleeting moments, Patti is rarely seen without her camera. Her photography explores the poetry of the ordinary through a cinematic, documentary style—spanning botanical, culinary, lifestyle, portrait, travel, still life, and the whimsically strange. Her visual storytelling reflects a deep curiosity and reverence for the world around her.

In 2025, Patti launched the Embassy of Ideas Mail Club—a global subscription that delivers a monthly envelope filled with a handwritten letter, poem, fine art photo print, and a signature pound cake recipe. It’s a slow, tactile experience in a digital world—pure Patti.

She currently resides and creates near the blue shores of Georgian Bay, Ontario—or wherever the Canadian road takes her.

Artist Statement:
“Everything is interesting to me. That’s what I’m archiving.”

Explore Patti’s books and creative offerings at: Patti Friday



COPYRIGHT 2007-2025 Patti Friday b.1959.

The Pirate Code Poetry Book and Cuban Ropa Vieja (Old Clothes) Recipe



Burning Havana

Swirling cigar smoke circles her neck
As the frayed rope hung maritime men
Grey and island colour washes over
The thick concrete walls
In a city
In a country
Where nasty, heartless criminals
Pretend to possess loyalty and love

One and three fives
Must be a lucky year
To loot and smear evil over a
Tropical moonlit paradise
Attacking a sway of peaceful hammocks
Startling traveler’s palms tips
He could have left it all alone
He could have sailed south to Jamaica

French Pirate
Exterminating angel
Lieutenant of Pegleg
Jambe de Bois
Knock on wood
L'Ange Exterminateur

Such turquoise beauty
On the shores of Cayo Coco
Feral horses and clear waters
Shells that heard you coming
Did you think the gold would be waiting?
Such greedy arrogance fills your pockets

Jacques, you naughty boy
Acting out in tantrum
Such unbecoming fashion
Your rage and grizzly dented pride
Took your rough skin hands
To strike those coals of fire
Into the homes of empty treasures
But you weren’t finished there

The countryside of this water hugged land
Set a blaze
White-hot anger drips heated tears
Onto the dusty roads
That no Caribbean rain could equal
No sloshing bucket could douse
Extinguishing

French Pirate
Exterminating angel
Lieutenant of Pegleg
Jambe de Bois
Knock on wood
L'Ange Exterminateur

Captain De Sores
You came with your two or twenty ships
Theft of Cuba the plan
How the country laughed at you
Spaniards howling over the sea
Foolish are you
Not even your flames could melt
The hearts of the people
Burning Havana

- The Pirate Code, Patti Friday
(Copyright Patti Friday Poem and Lyrics)



Ropa Vieja (Recipe here)

Cuba’s national dish.

  • Shredded beef stewed with tomatoes, onions, bell peppers, garlic, and spices.

  • Served with white rice, black beans, and fried plantains (maduros).

  • Name means “old clothes”—because of how the beef looks when shredded.

.

Havana Fortus (top graphic)
Johannes de Ram
circa 1680


COPYRIGHT 2007-2025 Patti Friday b.1959.

Lemony Lemon Loaf



Lemony Lemon Loaf ~ Makes 2 loaves!
(or Orangery Orange Loaf - simply swap lemons for oranges!)

3 cups all purpose flour
2 teaspoons baking powder
1/4 teaspoon baking soda
1 teaspoon salt
2 1/4 cups sugar
8 large eggs, at room temperature
1/4 cup grated lemon zest (from about 4 lemons)
1/4 cup fresh lemon juice
2 cups (4 sticks) unsalted butter, melted and cooled
1/2 cup sour cream, at room temperature
2 teaspoons pure vanilla extract

~ For the Lemon Syrup ~
1/3 cup fresh lemon juice
1/3 cup sugar

~ For the Lemon Glaze ~
2 cups confectioners' sugar
4-6 Tablespoons fresh lemon juice

Making the Lemon Cakes (Recipe yields two 9"x5" loaves)
Preheat oven to 350*F. Spray sides and bottom of pans with non-stick cooking spray. Line bottom of pans with parchment paper and spray the paper as well.

Sift both flours, baking powder, baking soda and salt together in a medium bowl.

Blend the sugar, eggs, lemon zest and lemon juice in the bowl of an electric mixer and mix until combined. Slowly add the melted butter, while mixing. Add sour cream and vanilla and mix until just combined. Use a rubber spatula to fold in the flour mixture, one third at a time, until all the flour is combined. Do not overmix.

Divide the batter evenly between the prepared pans. Bake in the center of the oven for 20 minutes, rotate the pans, reduce the oven temperature to 325*F and bake another 30-35 minutes, or until toothpick inserted in the center of the loaf comes out clean. Let cool in the pans for 15 minutes.

Meanwhile, make the Lemon Syrup ~
In a small saucepan over medium heat, heat the lemon juice and sugar until the sugar is completely dissolved. Once dissolved, continue to cook for 3 more minutes. Remove from heat and set aside.

Line a half sheet pan with parchment paper and invert the baked and (mostly) cooled loaves onto the pan. Use a toothpick to poke holes in the tops and sides of the loaves.

Brush the tops and sides of the loaves with the lemon syrup. Let the syrup soak into the cake and brush again. Let the cakes cool completely, at least 30 minutes.
(The soaked, but unglazed loaves will keep well, wrapped in two layers of plastic wrap and frozen, for up to 6 weeks.)

Make the Lemon Glaze ~
In a small bowl, whisk together the confectioners' sugar and 4 tablespoons of lemon juice. The mixture should be thick but pourable. If the mixture is too stiff, add up to another 2 tablespoons lemon juice (a little at a time) and whisk again. Pour the glaze over the top of each loaf and let it drip down the sides. Let the lemon glaze harden, about 15 minutes, before serving.

The glazed loaves will keep for up to 3 days, wrapped well in plastic wrap, at room temperature.

Recipe Source ~ Baked, New Frontiers in Baking
.
Graphic -
Lemon and orange
ca.1560-1575 (watercolour)
Painter: Jacque Le Moyne de Morgues
France

COPYRIGHT 2007-2025 Patti Friday b.1959.

Sunday, June 15, 2025

Patti Friday Canadian Culinary Writer and Photographer



Savouring Life Through Lens and Language: The Story of Patti Friday

At the crossroads of food, art, and culture, Patti Friday stands as a distinct voice in Canadian creative media—a culinary writer and photographer (self-taught cook & baker) whose work invites us to slow down, look closer, and taste more deeply. Her stories are rooted in real life, lovingly styled, and steeped in atmosphere. Whether she’s behind the camera or the keyboard, Patti is always asking: What makes this moment worth remembering?

For Patti, storytelling begins at the table. “Where food meets art and story begins,” she says, and it shows in every essay, photo print, and visual series she shares. Her Substack newsletter is a journal of edible memories, poetic reflections, and cultural snapshots. Her photography, full of natural light and gentle textures, captures food in its most honest and beautiful form. From rustic pies on worn wood to citrus arranged like still life poetry, each image is a quiet celebration.

Patti Friday isn’t just documenting what we eat. She’s telling Canada’s culinary story—one image, one word at a time. Her work celebrates the unique spirit of Canadian foodways, from small-town kitchens to cultural festivals, with reverence and curiosity. Through styled shoots, literary fiction, and intimate photo essays, she brings the warmth of lived experience into focus.

Food. Art. Culture. Stories worth tasting. That’s the ethos driving every project. Patti doesn't separate the visual from the verbal; she blends them into a kind of storytelling that is tactile and immersive. Her books, essays, and collectible photo prints create a sensory bridge between her readers and the world she captures.

In Patti’s creative universe, the everyday becomes artful. From kitchen table to coffee table, her stories stay with you—rooted in emotion, place, and a deep love for beauty that is both handmade and heartfelt.



COPYRIGHT 2007-2025 Patti Friday b.1959.

Tuesday, June 10, 2025

Lemon Pucker Cake


Roman’s Lemon Pucker Weekend

Every August, just as the sun began to dip a little lower over Ottawa’s slate rooftops and the cicadas started sounding like they’d had one too many cold drinks, Roman prepared for what she called Kissing Cousins Weekend—a sacred, syrupy ritual stitched into the very fabric of her life like the embroidered lemon graphic tee she only wore once a year.

Roman—named for her great-grandmother who apparently had a flair for dramatic naming and ironing tea towels—was the keeper of tradition, tales, and tart desserts. She lived in a wee walk-up in Centretown with creaky floors, breezy curtains, and a kitchen no wider than a canoe. Still, she made it work. With her lemon bowl taking pride of place on her countertop island (really just a vintage cabinet she wheeled into position), Roman had everything she needed: citrus, stories, and strong opinions on cake texture.

The cousins—four of them, all girls, all loud in their own way—would arrive with overnight bags, scented body sprays, tangled hair, and at least one tale of heartache or nearly-getting-a-tattoo. “Kissing Cousins” wasn’t meant literally, though Roman once had to clarify that after a bewildered coworker raised an eyebrow. It was more about both-cheek-kisses and cousin closeness, the kind only girls raised by loud aunties and braided childhoods could understand.

Every year, Roman cooked something cozy: one-pot pasta, garlicky bread torn by hand, a salad no one ate because they were saving room. But the crown jewel was always her Lemon Pucker Cake—a thin, glossy sheet pan creation with a puckered top and a bright, tongue-tingling glaze.

“You better brace yourselves,” Roman would say, slicing it into wobbly squares. “This one bites back.”

And it did. Tart and soft with a sugar crust that crackled just enough, it was a cake that demanded attention and made your eyes squint with pleasure.

They ate it barefoot on the balcony, ankles tucked up under them, coffee glasses sweating in the late summer heat. Roman always brewed it strong and iced it in jam jars with sweetened milk, the way their mothers had on long road trips through the Valley.

They talked about exes and lipsticks and whether anyone still wore low-rise jeans on purpose. They cried once, always once, and laughed so hard it hurt, every year without fail.

One cousin, Frankie, swore the cake was cursed.

“Why cursed?” Roman asked, grinning.

“Because after I eat it, everything tastes boring for three weeks. Including my love life.”

Roman just sipped her iced coffee, satisfied. That was the point. Life should pucker sometimes.

By Sunday morning, the lemon bowl would be empty, the sheet pan soaking in the sink, and the apartment full of the kind of sweetness that doesn't come from sugar.

And as the girls left, Roman would stand in the doorway in her yellow shorts, arms crossed, hair wild, and shout,
“Same time next year! Don’t forget—bring your stories, not your boyfriends!”

Because in Roman’s little corner of the city, lemon was law, love was messy, and cousins were forever.

ORDER a fine art print of ‘Lemon Pucker Cake’ here.


COPYRIGHT 2007-2025 Patti Friday b.1959.

Monday, June 9, 2025

Willa's Blueberry Hill


Willa’s Blueberry Hill

Willa Beth Givens never did find her thrill on Blueberry Hill—though not for lack of trying. There’d been one or two maybes and a whole handful of absolutely nots, but Willa lived by the philosophy that it was far better to be alone than to listen to someone chew cereal too loudly for the rest of your natural life.

She lived in a crooked farmhouse just outside a one-street Ontario farm town where the tractors had right of way and everyone knew whose barn dance ended in tears. Her front porch sagged in a way that suggested wisdom, not neglect, and the old shed beside the lilac hedge had become something of a local legend.

Willa’s Antiques & Oddments, open Fridays only, sunup to sold out, was crammed full of enamel basins, chipped teacups, pressed glass candy dishes, and furniture that smelled like time. Willa never advertised, not even on Facebook, but word got out—especially about the pies.

Every Thursday afternoon, Willa would tie on her apron (cream linen, embroidered with blueberries, naturally), put on a radio station that played nothing recorded after 1972, and got to work. She baked well into the night, accompanied by the hum of crickets and the occasional thump from a raccoon attempting larceny.

The result was her signature creation: Blueberry Pie for One.

Each was a petite, palm-sized beauty baked in a four inch tin foil pan, crust golden and sugared, blueberries bubbling up like secrets. She sold them for five dollars flat, no tax, no nonsense. A hand-painted sign at the end of her long gravel drive read:

“BLUEBERRY PIES FOR ONE — UNTIL SOLD OUT”
(underneath, in smaller letters: “No, you may not reserve them. That’s not how pie works.”)

By 8 a.m. Friday, a line would form. Farmers in overalls. Retired schoolteachers. Teenagers in search of something ironic. They’d mill around the driveway sipping thermoses of coffee and hoping Willa hadn’t run out before their turn.

Willa, in her linen dress and cloud of soft brown hair, would unlock the shed promptly at 9:00 with a key shaped like a tulip and call out, “Alright, you lot! No pushing, and don’t try to sweet-talk me out of a second pie ‘til everyone’s been served.” Then she’d plop a tattered wooden sign up against the old maple tree. It was a pun by her late Mother who always said, ‘Pie Are Round. Cake Are Square’.

Folks came for the antiques, sure—but it was the pie they talked about. Served warm with a scoop of vanilla ice cream if you were lucky enough to befriend Willa, the pie was rich with whole berries and the kind of crust that could make a widow weep.

“Why only for one?” someone asked once.

Willa shrugged. “Because you deserve something just for you, sugar. No sharing, no forks fighting for the last bite. Just peace, blueberries, and a little butter.”

She never married, never moved, and never once raised her prices. And though she never found her thrill on Blueberry Hill, she built her own hill of sorts—made of pie tins, antique spoons, and a quiet kind of joy that didn’t need to be shared to be worth everything.

ORDER fine art print of ‘Pie Are Round Cake Are Square’ here.


COPYRIGHT 2007-2025 Patti Friday b.1959.

Prue and the Red Velvet Society


Prue and the Red Velvet Society

Prue Blevins lived in a village so small the post office doubled as a bait shop and the mayor’s dog held unofficial office hours on the church steps. The whole town leaned up against a lazy river that looped like a lopsided smile, and everything—weather, gossip, and tomato yields—moved at the speed of porch rockers and polite pauses.

Prue, widowed these past fifteen years but no less opinionated for it, was the reigning matriarch of the Violet Valley County Horticultural Society, a group she founded with two other women and one man who only joined for the lemonade. Now, it boasted twelve active members and one waiting list (Tammy Jo Elkins, who refused to deadhead anything and once mistook a peony for a cabbage, had been gently told to “just enjoy nature from a respectful distance”).

Most days, you could find Prue in the community parkette, a glorified triangle of land wedged between the diner and the feed store, tugging weeds with the precision of a surgeon and muttering things like, “Heaven help me, these marigolds are drunk on sunshine.” The bronze fountain in the center—a ring of dancing children cast in 1963—sprinkled merrily beside her, though one child had a slight lean due to an unfortunate incident involving a mischievous raccoon and an overenthusiastic high school band fundraiser.

But the real magic happened the first Tuesday of every month, when Prue hosted her gardening ladies at Dot’s Diner. Dot, who ran the place with a spatula in one hand and a can of Aqua Net in the other, reserved the corner booth under the big window. Prue would waltz in, hair pinned up in what she called her “bouffant with backbone,” and treat every single woman to a thick, glorious slice of Red Velvet Cake.

Now, this was no average cake. Dot made it from scratch with buttermilk, cocoa, and a cream cheese frosting that could redeem even the rudest cousin at a family reunion. It was the unofficial currency of kindness in town.

Prue had a tradition. Before they ate, she’d raise her fork and declare:
“Here’s to dirt under our nails and frosting on our lips. May your mulch be rich, your petunias obedient, and your neighbor’s cat stay out of your zinnias.”

The ladies would laugh, clink forks like champagne glasses, and dig in.

One Tuesday, a newcomer named Clarabelle—who had just moved from Collingwood and wore gardening gloves with rhinestones—asked, “Prue, why Red Velvet?”

Prue dabbed her mouth delicately. “Because it’s dramatic,” she said. “It looks like it’s got a secret. Just like gardeners—we know what goes on under the surface.”

The women all nodded. There was wisdom in that cake.

So Prue weeded. She hosted. She celebrated soil and sweetness. And in a town where not much changed, she became a quiet legend: the woman who kept the parkette tidy, the roses pruned, and the Red Velvet flowing—proof that a little sugar, a lot of sun, and a stubborn root system can hold a village together just fine.

ORDER a fine art print of ‘Red Velvet Cake’ here.


COPYRIGHT 2007-2025 Patti Friday b.1959.

Poppy in White. Milk and Moonlight. White Cake White Icing


Poppy in White

Poppy Calhoun had a calling. Not a job, not a lifestyle, not even a “personal aesthetic” as those downtown girls with podcasts might say. No, Poppy had a calling, and it came in shades of milk and moonlight.

She lived her entire life in white. Not just white, mind you—whiteivorycreamvanilla beanfrosted pearlalabaster, and on occasion, when she was feeling wild, a daring ecru. Her closet was a snowy spectrum. Her front porch was flanked by white hydrangeas the size of small cabbages. Even her rescue cat, Blanche, wore a tiny linen collar the color of whipped meringue. Poppy’s hair was the palest ‘Targaryen’ blonde.

Poppy was a Flower Stylist, the kind of florist who didn’t just arrange blossoms—she curated floral poetry. Her studio, tucked into the back of an old house with chippy paint and floorboards that creaked like your Aunt ’s Sophie’s knees, was the kind of place you whispered in without realizing why. Brides-to-be came from three counties just to sit on her marshmallow velvet loveseat and imagine what their big day might smell like.

“I specialize in white weddings,” Poppy would say, smiling like a secret. “Not just the flowers. The feeling.”

And Lord help the woman who asked for red roses.

Each bridal consultation included tea served in antique china and one perfectly plated slice of her famous White Cake White Icing. It was part gesture, part ritual, part spell. Two layers, snowy and soft, flavored with almond and something Poppy would never admit out loud but might be a dash of coconut extract. The frosting was a whipped cloud of buttercream that made grown women cry and one groom-to-be propose to Poppy by mistake.

“It’s like eating a silk pillow,” one bride whispered reverently, as though sugar could be sacred.

Of course, not everyone understood her devotion to the palette.

“Don’t it ever feel a little… sterile?” her cousin Susie Lou asked once, waving a rhinestone-studded nail at Poppy’s kitchen, where even the salt and pepper shakers were shaped like porcelain swans.

“It feels peaceful,” Poppy replied. “Besides, have you ever seen a stain on a white tablecloth and not remembered the exact moment it happened? White holds memory. It’s honest.”

Susie blinked, popped her gum, and muttered, “Well, alright then, Sister Ghost.”

But the brides understood. And the flowers did too. Casablanca lilies, Queen Anne’s lace, garden roses, dusty miller, lisianthus, gardenias that bruised if you so much as looked at them cross-eyed—Poppy coaxed them all into clean, dreamy arrangements that looked like moonlight had decided to get married.

By year’s end, she’d sent fifty-seven brides down the aisle in a soft cloud of cream and calm. And each one of them said the same thing, months later, in thank-you notes edged with dried petals:

“I still think about that cake. And the calm. And how white, in your hands, felt like the warmest thing in the world.”

Which just proves what Poppy always said: White’s not cold. It’s hope with frosting.

ORDER a fine art print of White Cake White Icing here.


COPYRIGHT 2007-2025 Patti Friday b.1959.
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